enclitic number 1 Spring 1983

Contents: Re-presentation as Recall; The Political Topology of Montage – The Conflict of Genres in the Films of Godard; The Madness of Vision; Negation and Affirmation in the Photographs of Robert Frank; Daniel Deronda. A Family Romance; The Places of Marguerite Duras; Leftist Recreation: The Politicizing of Deconstruction; In the Body of the Mother; Pitches, Expression, Ideology: An Exercise of Meditation; Textual Analysis; Textual Analysis Revisited; Dead Letters; Althusser, Ideology, and Oppositional Practice; Objective Burma!: On the Graphic Unconscious in a Hollywood Film; Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism.